THE RETURN
| No. | Image | Title | Medium | Dimensions | Year |
|---|---|---|---|---|---|
| 1 | THE OTHER | Ink and woodstain on paper | 60x180cm | 2003 | |
| 2 | LE VENT NOUS PORTERA | Ink and woodstain on paper | 60x120cm | 2003 | |
| 3 | TONIGHT WE FLY | Ink and woodstain on paper | 60x60cm | 2003 | |
| 4 | SHUVA | Ink and woodstain on paper | 60x60cm | 2003 | |
| 5 | SWEET RETURN | Ink and woodstain on paper | 19x70cm | 2003 | |
| 6 | SLOW MOVING | Ink and woodstain on paper | 19x70cm | 2003 | |
| 7 | A LITTLE LIKE LIGHT | Ink and woodstain on paper | 19x70cm | 2003 | |
| 8 | ANYWHERE BUT HERE | Ink and woodstain on paper | 19x70cm | 2003 | |
| 9 | SLY WE FLY I | Ink and woodstain on paper | 19x70cm | 2003 | |
| 10 | SOULSLINGER | Ink and woodstain on paper | 19x70cm | 2003 | |
| 11 | ECOSYSTEMO 3 | Ink and woodstain on paper | 19x19cm | 2003 | |
| 12 | LOCO | Ink and woodstain on paper | 19x19cm | 2003 | |
| 13 | ALLES SOLL BLAU SEIN | Ink and woodstain on paper | 19x19cm | 2003 | |
| 14 | SPERICAL GEOMETRY | Ink and woodstain on paper | 19x19cm | 2003 | |
| 15 | CASINI | Ink and woodstain on paper | 19x19cm | 2003 | |
| 16 | ON MY WAY | Ink and woodstain on paper | 19x19cm | 2003 | |
| 17 | 4 STRIPES | Ink and woodstain on paper | 19x19cm | 2003 |
PIEROGI 2003
177 N. 9th ST , Brooklyn , NY 11211
Tel: 718.599.2144
Fax: 718.599.1666
joe@pierogi2000.com
http://www.pierogi2000.com
Arrival
The Return Gallery 2
Ati Maier's works on paper comprise a montage of fantastical and seemingly familiar imagery—hyper-saturated chromatic visions—which initially appear abstract, before coming into focus as a surfeit of activity occupying multiple dimensions simultaneously. Maier was born in Munich, Germany, studied visual art in New York and, later, Vienna, and currently divides her time between Berlin and New York. Though her work has been exhibited widely in Europe, this will be her first one-person exhibition in New York.
'The German-born Ati Maier, in her New York solo debut, is also skilled in forming something cohesive from the interaction of many small parts, with sources in astronomy, Japanese anime and Modernist abstraction, all fused with bright colors (Cotter).'
The New York Times. Published December 19, 2003
















